Ki Hadi Sugito central role in the leather puppet 'gagrak' Yogyakarta have no doubt. Therefore, many panggemar puppet who feel as if seeing real life when listening to 'wayang kulit' performance by Dalang Hadi Sugito, though only through radio broadcasts or audio recordings. Vocal prowess and 'antawecana' mastermind 'Kulonprogo' origin was known to be very good to hear there is harmony between voice and puppeteer with gendhing accompaniment. But if you play the stories 'carangan', I did a lot of interpreting my own and adjust to the situation when I 'mendalang'.' Carangan' stories that was also created solely by our great-grandfather? "Said Ki Hadi Sugito at that time.īesides known there is a balance between spectacle (entertainment) and guidance (education courses), Ki Hadi Sugito puppetry styles since the 70s was known always fresh packed but weighty. "In the matter of the play, if play-act play 'babonan' I was always exactly the same as what's in standard play. It was the style of puppet Ki Hadi Sugito considered to have suffered far leap forward, innovative and creative. The announcement Ki Hadi Sugito to the KR in 1987. ' Janaka' Is not it too common picture of the human figure? Even when you're in the 'ined, suddenly 'Janaka terkentut', actually is not a taboo. Even in certain scenes, certain figures of speech are also not taboo 'glenyengan' or 'dleweran' to the actual problems that are in the community. Nevertheless, the isen-isen in puppet teaching must be adapted to the times. 'PAKEM paugeran' puppet is to be followed by the puppet masters.
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